Review of "A Silent Cry" Directed by Donna Weng Friedman

Solitude is a virtue embraced by many great individuals. In Buddhism, solitude is viewed as a valuable tool for spiritual growth and self-discovery, rather than something to be avoided or feared. It is seen as a means to cultivate mindfulness, gain clarity, and deepen one’s understanding of oneself and the nature of reality. While Buddhism does not advocate for complete isolation, it emphasises the importance of occasionally withdrawing from social distractions to engage in introspection and meditation. When practised correctly, solitude can lead to significant personal achievements. It is a path to self-discovery, often yielding fascinating insights. The microfilm “A Silent Cry” resonates with this idea throughout its narrative.

 

The film tells the story of the Himalayas, a region where life is challenging and survival is a constant struggle. The landscape is blanketed in thick white snow, resembling a vast expanse that has dried up due to an atomic explosion. Additionally, the film addresses a pressing issue related to the current political climate: climate change. It subtly explores how capitalism is depleting our natural resources and how nature, in turn, is responding to this exploitation. The words “Silent” and “Cry” encapsulate this idea, suggesting that nature is silently crying and yearning for a better future.

 

Having said that, the film ‘A Silent Cry’ does not depict a bleak future where all hope is lost. Instead, it offers a sense of optimism. As mentioned earlier, solitude can often lead to greater joys. After watching this film, viewers may feel inspired to pursue ambitious goals. It encourages those seeking motivation, demonstrating the importance of resisting the urge to conform and instead embarking on a journey of self-exploration. The central character, who is also the film’s sole protagonist, distances himself from his ‘society’ to gain a deeper understanding of it. In this sense, the film serves as a study of his surroundings.

 

The director of the film, Donna Weng Friedman, has done an outstanding job in creating this work. Her career is characterised by artistic endeavours, innovation, and a strong commitment to diversity in the performing arts. She effectively highlights urgent issues related to climate change, particularly concerning the Himalayas, demonstrating her deep concern for nature. The film begins with the visual of a crystal ball, as if predicting the future of our world, especially concerning the Himalayas. The storytelling is captivating, emphasising simplicity, which leaves a lasting impression on the audience by the film’s conclusion.

 

The music in the film is very soothing and complements the story beautifully. It gradually seeps into your consciousness, creating a magical experience with its calmness. The impact of the music lingers with the audience long after the film ends. Another aspect that sets this film apart is its content. It uniquely explores our world, presenting a humane perspective that feels almost otherworldly. Additionally, the form of the film is significant; it is a microfilm that delivers a profound message typically found in longer formats.

 

“A Silent Cry” tells a story of courage and resilience, focusing on the life of someone navigating the perilous mountains of the Himalayas. This journey leads to a happier ending, where life becomes more comfortable than in the previous places explored. It’s also noteworthy that while life in the new territory has its challenges, it is, to some extent, easier than before. Additionally, the film incorporates a sense of melancholy, which adds depth to the narrative. However, it’s important to remember that life in the mountains remains precarious, regardless of any improvements.

 

In conclusion, I would like to share some thoughts that have stayed with me after watching the film. The ending scene continues to resonate with me. While it is a short film—more of a micro film—it possesses many qualities of a compelling documentary about life in the Himalayas. However, it’s important to note that it is not a documentary; it is a work of fiction that is masterfully told. The storytelling truly sets it apart from other films. The visuals, sound design, and emotional depth contribute immensely to its impact. For its brilliance in depicting life in the Himalayas, I would rate the film four out of five stars. Donna Weng Friedman has done a tremendous job.